Geography as Identity: On Moonlight

by Angelica Jade Bastién

"How can I put into words what it’s like to see your very soul—ragged and yearning—across the screen?"


Kindle Edition (Amazon)

A Town by the Sea
Kelsey Ford on Manchester-by-the-Sea

Sticks & Stones
Andrew Root on Arrival

Geography as Identity: On Moonlight
Angelica Jade Bastién on Moonlight

Witch-Craft: Why Robert Eggers is Our Next Great Filmmaker
Lauren Wilford on The Witch

What Tyranny
Fran Hoepfner on Sing Street

Keeping the Lights On: Stranger Things and the Emotional Crisis of Motherhood
Katherine Webb on Stranger Things

Political Moviemaking in Hopeless Places: On American Honey
Matthew Eng on American Honey

Am I A Bad Person?
Victoria Large on The Nice Guys

Pioneer Women
Holli Carrell on Certain Women

Such Hard Blues
Karina Wolf on One More Time With Feeling

BW/DR Staff Picks: The Best Films of 2016

 


Featured essays

The Nine Lives of the Femme Fatale

Angelica Jade Bastién

"Modern noir isn’t interested in the psychology behind the femme fatale’s destruction, but rather in the ways her destruction wrecks those in her orbit."

Blessed Are The Meek

Patrick Vickers on The Assassination of Jesse James by the Coward Robert Ford

"The film is as much about the incalculable weight of this mythology as it is the titular deed. It’s about the failure of fiction to console, to ever adequately prepare us for the harsh complexities and contradictions of the real world."

Someday We'll Fall Down and Weep

Elizabeth Cantwell on The Tree of Life

"How will you act when grief seeks you out? How did you act before you knew it could?"

Riotous Excursions: Baz Luhrmann's The Great Gatsby

Sheila O'Malley

"If something doesn't work, Luhrmann simply plows on to the next thing. It's a man-of-the-theatre attitude. He's an old-fashioned showman: Give 'em something to look at. And make sure you reach 'em in the cheap seats!"